Published , by Donovan Erskine
Published , by Donovan Erskine
Despite the stigma around video game film adaptations, the 1995 Mortal Kombat was a bit of an exception. Fans adored the over-the-top campiness, and it has remained a major name in the long history of video game movies. With that in mind, quite a bit was riding on the 2021 Mortal Kombat film, especially in an era where every studio is looking for its next major franchise or connected universe. While Mortal Kombat succeeds in delivering great action and setting the groundwork for potential future films, it struggles to accomplish much else.
Directed by Simon McQuoid, Mortal Kombat follows the story of Cole Young, a brand new character created specifically for the movie. A seemingly nobody, Cole is pulled into a battle for the future of Earthrealm once discovered by others that share the same dragon mark as he does. While Lewis Tan delivers a solid performance in the role, Cole’s character spotlights one of the more glaring issues in Mortal Kombat - character development.
With an ensemble cast made up of so many beloved characters, Mortal Kombat is able to get away with not doing much to develop them. You don’t need to convince MK fans to care about Sonya Blade or Jax, because they already love them. However, protagonist Cole doesn’t have that luxury. Outside of seeing his wife and daughter, there’s no reason to really root for him or care what happens to him. It’s understandable that the Mortal Kombat movie devoted a lot of its screentime to its cool characters doing cool things, but one of the consequences is a generic leading man.
I felt as though Mortal Kombat did right by nearly all of its legacy characters. Kung Lao, Raiden, and Liu Kang are all excellent live-action adaptations of iconic MK characters. Sub-Zero is especially menacing in the movie. One character that really stuck out from the others in a negative way was Kano. Used for about 75 percent of all the movie’s humor, I found his comedic shtick pretty tired. The majority of Kano’s jokes were lazy pop culture references, name-dropping Gandalf, Harry Potter, and a plethora of other popular movie/television characters. It got a chuckle the first time, but not after that.
A Mortal Kombat movie either lives or dies on its action and combat sequences. Luckily, the 2021 adaptation nails the majority of its fight scenes. The choreography is excellent, and just about all of the characters get their moment to shine in combat. Fans of the gaming franchise will be particularly pleased, as many of the signature moves from the series make an appearance on the big screen.
As with its predecessor, the Mortal Kombat movie is quite cheesy. It works some of the time, as the source material itself has always been quite zany and over-the-top. However, there are some instances where it falls completely flat. There’s a particular moment when one character kills another, to which they declare “flawless victory,” and I couldn’t help but roll my eyes.
There’s also an abundance of blood and gore, as it was clear the filmmakers were committed to staying true to the nature of Mortal Kombat. This again ties into the film’s campiness, as it’s a bit hilarious to see a guy get stabbed in the head and watch blood spew out like a science class volcano project.
The story of Earthrealm being in peril is pretty standard for a Mortal Kombat narrative, and more or less was a means to have a bunch of characters fight, which is completely fair. I was much more interested in the feud between Bi-Han (Sub-Zero) and Hanzo Hasashi (Scorpion).
Mortal Kombat does a great job of giving all of its characters a moment to shine. Fans of the franchise will find a lot of value in seeing their favorites go toe-to-toe, as the movie definitely prioritizes action and combat. The door is left open for a potential sequel, so here’s hoping we get better character development and a more compelling story.
This review is based on the theatrical and streaming release of Mortal Kombat (2021). Mortal Kombat is now showing in theaters and on HBO Max.